Those crazy kids from the Arts Club’s smash hit Sexy Laundry are back! And this time Henry and Alice are camping—sort of! Forced to examine their relationship in the tangle of the wilderness—including collapsing tents, uninvited guests, and their own particular style of alfresco “cuisine”—they just might discover how to survive a true mid-life crisis.
Professional Productions
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Two couples navigate through their relationships on a Caribbean cruise. One seems "perfect" while the other seems "stormy." The truth and lies of each marriage comes to the surface as they celebrate their anniversaries at sea. Ernie and Twink attempt to put the sizzle back into their marriage while Beth and Blake attempt to save theirs. A heartfelt comedy that will ring true with any couple who has ever contemplated sleeping in SEPARATE BEDS!
Lives collide and intertwine in unintended and unexpected ways as three stories are intricately entangled: the dying man who discovers his world is not what he had thought; the two lovers on the brink of collapse and the two men creating the play - interpreting and re-interpreting it right in front of our eyes, evoking a beautiful world of love and loss. Bitingly funny and wildly imaginative, this award-winning play is a thrilling and ingenious puzzle.
Café Daughter is a one-woman memory play inspired by a true story. It's about a Chinese-Cree girl growing up in rural Saskatchewan in the 1950s and 1960s. The story begins in 1957: 10-year-old Yvette Wong helps out in her parents’ café. She’s incredibly bright but is put in the slow learners’ class because of her skin colour. Her mother Katherine has charged her with a secret – to never tell anyone she’s part Cree. This was a time when Aboriginal children were forced into residential schools, provincial law forbade white women from working in Chinese-owned businesses, and Chinese-Canadian men struggled to bring families to Canada.
Commissioned by YPT, this riveting play explores teen mental health. Patricia, Jude and Trey meet regularly at a drop-in group for teenagers diagnosed with a mental health issue. In a series of scenes from both the group and their personal lives, we get to know their unique situations as they struggle with school workloads, worried parents, peer pressure and broken hearts. Beyond the Cuckoo’s Nest reminds us that stigmatization of mental illness is still one of the biggest barriers to finding and holding on to hope.
In this story, inspired by West African legends, an ancient baobab tree stands tall amidst a persistent drought. One day the tree brings forth an egg and from the egg is born a little boy. The villagers recognize that this little boy is the only one who can undertake the quest to bring water back to the land. But there are four formidable tasks to be completed before success is possible. Can a little boy change the history of the world? Using puppetry, masks, and percussion rhythms, Baobab makes powerful change come to life.
Legendary Newfoundland fiddler and storyteller Emile Benoit was a figurehead for the Newfoundland folk renaissance, contributing over 150 distinctly original fiddle compositions, and his seemingly endless catalogue of fantastical stories of English, Irish, and French origins. Originally commissioned by and co-produced at the Stephenville Theatre Festival as Vive La Rose, Emile's Dream is a lively theatrical and musical tribute to a true Newfoundland legend. Benoit was a character of mythic proportions while he was alive, and still now, fifteen years after his death. Emile`s Dream is as alive and unpredictable as the man himself, with three actor/fiddlers trading off Emile's words and music in a kinetic verbal and musical juggling act. Kelly Russell, once a protégé of Emile himself, leads the group of three that also includes Daniel Payne and Phil Churchill. Emile's Dream is a must see for any and all with an interest in the music, stories, and French culture of Newfoundland, and for those who love a lively story and a night of great tunes.
Born into a struggling family in Cobourg, Ontario, Marie Dressler left home at 14 and joined a 4th rate touring theatre troupe. In spite of being too big and too ugly to succeed, she used these qualities to become the the best low comedienne in America. In her late 50's, after falling into theatrical disfavour, she reinvented herself in movies and became the most popular film star in recession ravaged America. Queen Marie celebrates the performer while revealing the personal joys and pain that lay beneath the performance.
Previews: July 3-4